Chasing the Light

So, the darkest time of the year is upon us, and we are hard pressed to maintain our good cheer in the midst of grey drizzle, no sunshine, and months of winter looming ahead. Uncharacteristically, there is not even any snow to lighten things up, although the warmer than usual temps have helped. The Market Square rink may be closed for now,

but at least there are flowers blooming in December--a first in my lifetime.

With Christmas, for a little while we are able to push back against the gloom, with friends, good food, and candlelight. Knitting in red helps raise the mood, of course. Here's Isabel's Wolfe Island Gansey in progress. I'm having to work hard to get this done before she heads back out west.

On Christmas Eve, we ventured out on foot to the choral eucharist at St. George's Cathedral. Unexpectedly, the service was from the Book of Common Prayer (considered one of the three most influential bodies of writing in the English language, did you know?), with the beautiful language I still know by heart from my childhood. The music lived up to the words, and the entire thing was quite lovely and moving, including the walk back home in the dark, silent early 19thC streets.
For dinner, we lit all the beeswax candles we could find and ended the meal with our favourite mincemeat pie (vegetarian version). What's Christmas without apples, raisins, spices, and pastry? The recipe follows:

All-Purpose Pastry

(Makes two 9” crusts)

I use this for both sweet and savoury dishes, everything from fruit pies to quiches. It’s extremely quick, ridiculously simple, and delicious, and best of all, there’s no flour mess all over your counter and floor. What more could you ask for?

2 c unbleached flour (you may include up to ½ c whole wheat flour)

½ tsp salt (optional, depending on what’s in the filling)

½ c canola oil

½ c water

waxed paper

rolling pin or substitute such as a wine bottle or large glass

Stir the flour and salt together in a bowl. Add the water and oil and combine gently with a fork, then once everything is moistened, your hands. I move the resulting ball around the bowl to grab every crumb of flour, BUT DON’T OVERMIX OR KNEAD, or your pastry will get tough. Remember, knead bread, not pastry. If you’re making something with a top and bottom crust, divide into two balls; otherwise leave as one.

Moisten your countertop and place a sheet of waxed paper down (the dampness will hold it in place while you roll out the dough). Place a ball of dough on the paper and flatten it a bit with the heel of your hand. Then place a second sheet of paper on top. Roll from the centre out until the desired size is reached. Peel the top sheet off and lift the pastry, placing it bottom up into your baking dish. Peel the bottom sheet off and shape it in place, making sure to ease out any air bubbles from underneath. If you are using a top crust, repeat the procedure.

Mincemeat Filling

4 medium apples

1/2 c dark raisins

1/3 c apple cider (non-alcholic)

1 orange

3/4 c brown sugar

1/2 tsp cinnamon

1/2 tsp cloves

Peel and chop the apples. Mix with the cider and raisins. Grate the orange peel, then squeeze the orange for its juice. Add both to the apple/raisin mixture. Simmer in a covered pan until the apples are tender. Stir in the sugar and spices. This can be prepared ahead of time, but should be reheated before filling the pie. 

To assemble, line a 9" pie plate with half of the pastry and cut the second half into strips for a lattice top. Pour the filling into the shell. Cover with the lattice top and bake in a 400F oven for 40 min or until the pastry is golden. The pie should be cooled for a while before serving it warm. Enjoy!

 

The Best Laid Plans

You know what they say about "the best laid plans"... Well, mine have certainly gone awry. After I was so enthused about spending the holidays working on this,

here I am instead working on this.

If you've been reading this blog for a while, you might remember the Wolfe Island Gansey (still unpublished). It looked like this.

Turns out I'm incapable of saying no when my baby girl comes home for Xmas and makes a special knitting request. Guess the aran sweater's gonna be mine--in January.

The "Neck Thingum": Boring, Unglamorous, and Essential

While my aran swatch has been drying, I've been catching up on some boring but necessary winter knitting. For the last couple of months, I've been wearing my Bandana Cowl--the one I made from my very first spindle-spun wool. I knitted it to gauge, but because the wool was worsted weight, not chunky as called for, it has a nice drape that I really like. The problem? Inevitably we're going to get to that part of winter when looseness of any sort in the neck area is a recipe to freeze. There comes a point when only something woolly and clingy will keep out the chill, fashion be damned. Every year I make one or two of these.

These "Neck Thingums", as we call them, are a critical element in our winter coping strategy. They're unisex, can be worn indoors or out, folded over like a turtleneck (when it's not minus 15C), pulled up over the lower face, scrunched up under the chin, or layered with a loose cowl (like the Bandanna Cowl). So cozy! No wonder we've been known to fight over them. Each one takes only 60-80g of non-superwash wool (you don't want to lose the wool's defining properties, after all). I like to use a soft non-superwash pure wool like Quince & Co's Lark, or Cascade 220. The one pictured here took a little over one skein of Lark in Kittywake. Instructions, such as they are, follow. Hint: download a good audiobook or settle in for some binge watching on Netflix, 'cause you're in for some b-o-r-i-n-g knitting.

Neck Thingum

Using the longtail method and a 16" circ one size smaller than you would normally use for your chosen yarn, CO the same number of sts you would to knit a basic hat. That's 96 in my case. It's also 96 for my much larger son, because this project is very stretchy. The number must be divisible by 4. Join into a rnd, being careful not to twist (as they say), and place a marker to indicate the start of the rnd.
Rnd 1: *K2, p2, rep from * to end.
Rep Rnd 1 until the tube meas approx 6 1/2", or desired length.
Next Rnd: *K2, pfb, p1, rep from * to end.
Cont now in k2, p3 ribbing for about another inch to an inch and a half.
Purl 1 rnd.
BO loosely, knitwise.
That's it. If you decide to wet block the Thingum before wearing, try not to stretch out the 2x2 portion of the ribbing. The whole idea to keep it stretchy, but snug.

FYI, pfb = purl into the front and back of the next stitch.

Alternative Border
Knit one rnd, purl one rnd, knit one rnd, then cut yarn, leaving an end AT LEAST three times the finished diameter, and complete with EZ's sewn bind-off (or casting-on casting off, as she called it) from p38 of the newer edition of her "Knitting Workshop". It looks like purl bumps, but is extremely stretchy, and perfect for the lower edge of the Thingum.

With Xmas only 10 days away, maybe you're looking for the ultimate stocking stuffer (unless you go to Florida for the winter). Since each Thingum takes less than 24 hours of on-again-off-again effort, if you're motivated you could make ten of these before Xmas morning, each one in a different colour. What a great stash reduction plan! What are you waiting for?

Infatuation

The Winter edition of Knitty came out last week, with a sweater that immediately caught my attention--Helga. It's not the photo of the model in jeans that did it; it's the one on the designer, Emily Nora O'Neil. I think it's the combination of back-to-nature hair, long skirt, cropped sweater, and tweedy aran stitches. It got me thinking that I needed to make an aran jumper right away. And the timing is good. Isabel comes home for the holidays tomorrow, and she's been wanting a pullover.
So, yesterday, I grabbed my stitch dictionaries and graph paper and got to work. I have a LOT of stitch dictionaries, but you know, I almost always end up coming back to good old Barbara Walker's set of Treasuries. Even with the photos in black and white, they're the best. I especially love the way she groups her swatches, explaining their historical development and how they are related.
Next, I cast on to do a swatch on 60 stitches. I wanted to make the swatch in the round, because that's how I intend to knit this thing, or at least most of it. Not sure yet whether I'll steek the armholes or not. You've got to admit it's a lot easier to knit aran stitches when the right side is always facing. We'll see. No need to decide for a while.Turns out there's a use in my knitting universe for the magic loop method. It's perfect for when you want to knit a swatch in the round, and a 16" circular isn't quite long enough to work the cables comfortably.

Here's my setup with my Knitpicks magnetic board holding up my chart. I know I've ranted about the appalling inadequacy of Knitpicks' ball winder, but here's a tool of theirs worth having.
 

This morning I cast off, soaked the swatch in warm water, then CUT IT OPEN, and stretched it out to block. After all, aran patterns are really nothing more than fancy ribbing.

I'm pleased as punch with this. I love the blue-grey Galway I used for the swatch; it's like carved stone. But, I'll be using a beautiful heathered red in the same wool for Isabel's jumper. See you in a few days...

Penelope: the Ultimate Top-Down Hat

This toque is fun, fast, flattering, and warm. In other words, this hat has it all, and so it’s the one I inevitably reach for when I’m running out the door to walk to the grocer’s, to shovel snow, or to go skating in our market square. The top-down construction gets things off to a rollicking start, and before you know it, this baby is done and ready to enjoy. Got a gift list? Look no further! Available today on Ravelry.

P.S. The hat takes longer to dry than to knit!!

On the Wild Side

Today was my second annual lunch party for fibre friends in the Kingston/Prince Edward County region. It was wild from the start, with Joan of Purlin' J's Roving Yarn Truck walking up the front steps just as I opened the door to let Bill out (this crowd is way too far out for him, so he made off in a hurry to Queen's library for his own version of exciting). Here's Joan in her signature wild child tights and her Stephen West sweater. I looked it up after she left. It's the Ombre Yarn Eater, one of Stephen's earlier and less wild designs, although come to think of it, it looks pretty wild (in a good way) in Joan's version. Don't you think this would make a great project for a knit group? No two projects would look the same, and everyone would be able to make a sizable dent in their stash. FYI, we were having work done on our eavestroughs and facia this afternoon, so that's why there's a truck in back.

Next up the walkway was Cheryl, of Little Church Knits, modelling Thea Colman's Dark and Stormy. These pics don't show the beautiful bluey-greeny grey, or how it perfectly matches Cheryl's eyes.

Inside the house, Carolyn Barnett showed off one of her felted vests. Check out the back!

Cheryl kindly modelled my Modern Gansey. Lookin' good! Although, I have to say that my designs feel awfully tame next to everyone else's explosive creativity.

Thanks, Cheryl. Thanks, Chris, Deb, Carolyn, Lesley, and Joan for your little gifts and a great afternoon.